14 May 12

A shiny new home for all my creations

A shiny new home for all my creations

I make a lot of stuff, from large web apps to tiny one-file WordPress plugins. Now they have a home their creator can be proud of. flamingtarball.com.

There you'll find apps like Poddle.tv and idoxiny - which I'm thinking of working on again soon - as well as plugins and code libraries.

I'm also starting a blog which will feature some of the stories I talk about in the Web in 90 Seconds, so I can keep this one chock full of personal nonsense.

Flaming Tarball also works as a sort of personal incubator, taking projects and growing them into independent businesses. That's happened once so far with my Next Big Thing (to be quietly announced on Wednesday morning) and is something I'd love to see happen again in the future.

But for now, if you've ever wanted to see what I actually do with my time, you can find it all at flamingtarball.com.

2 May 12

An elegant solution to the "cookie law" problem

An elegant solution to the "cookie law" problem

The EU "cookie law" (an edict that refers to any in-browser data storage) is due to become legally binding very soon, so while I'm not a fan I'd rather my clients didn't run the risk of a £500,000 fine for not obeying.

To that end, the masterful Michael Grimes alerted his blog readers to Cookie Control, a "painless solution to cookie opt-in". It displays an unobtrusive message warning you that cookies are used. My interpretation of what I've read and heard is that a warning that has to be dismissed is enough to satisfy the ruling, as the clicking acts as implicit consent. However this plugin can work with Google Analytics, so doesn't implement their tracking code until your visitor gives consent. (Pah, I say to that; this is the modern web, and I'm not doing anything wrong.)

To get up and running, there's a WordPress plugin amongst other options, but even the configurable JavaScript snippet is easy to setup and drop in. I've installed the plugin on this blog, and created a Django template tag from the configurable script (it's in my bambu-tools library).

People are constantly trying to remake the web in their own myopic image, so if you can't fight it, do as little as possible to limbo under the bar. Praise and thanks be to Michael, who unlike me managed to sensibly investigate the issue and find a useful solution, rather than shouting into the wind.

16 Apr 12

Hotmail and the fight against greymail

Hotmail and the fight against greymail

I've just learned a new term: greymail. It's the stuff that's somewhere between spam and email you actually want to read. Facebook updates; Twitter follow or retweet notifications; Basecamp messages; Groupon deals. It's all stuff you might want at some point, but probably not right now and not for long.

Hotmail, which I've not used since about 2008 has some new features which an ad just alerted me to. I clicked the ad thinking it was a slight against Google's redesign, but instead ended up learning about how Hotmail lets you sweep, tidy up and "automate your inbox".

Since, I think late 2008 I've used the third-rate email services provided by Apple, because they integrate really well with my gear and give me a nice short email address. But they're third rate because of all the services they lack: proper spam filtering, rules that sync between computers or devices, or even a sense that it's more than an afterthought.

Gmail's constantly updating, if not its interface then its product line, and Microsoft are pluckily keeping up, but in comparison, Apple's bare-bones IMAP-based email just feels a little lacklustre. I'm glad I no longer pay for it.

The problem I have with email providers like Gmail and Hotmail is that I like proper software. Y'know, stuff that is actually part of your computer, not simply another tab on a browser. I want to switch between icons, minimise, launch quickly, multitask. This is what comes of starting off my career as a desktop software developer I think. I like apps that live in my computer, not subletting in a browser. But the problem there is that we get into all kinds of technical beef which I've no desire to go into now, about IMAP and CalDEV or whatever other bobbins is floating round making my inbox work.

I just thought I'd mention that, while us net hipsters are using cool products by cool developers who make things in shiny white and matt black, Microsoft are still trying to make email better. Good on 'em.

16 Apr 12

The Spotify Play Button

The Spotify Play Button

Last week Spotify launched their Play button, which lets people embed music from their service directly into blog posts. It works really well, and on WordPress you can do this using the Spotify Embed plugin.

There is an alternative plugin, but that one uses shortcodes which, since WordPress started supported oEmbed many moons ago, seems a bit fiddly. With Spotify Embed, you just paste the URL of a Spotify track, album or playlist into your post, publish, and you're done.

If you're not a WordPress blogger and you're able to paste arbitrary HTML into your posts, check out Spotify's button generator tool.

By way of example, here's a brilliant album - with some headache-inducing artwork - from Alabama Shakes (thanks to the Guardian).

http://open.spotify.com/album/0YcQyzstsSbcnLCk4h7AUh

4 Apr 12

Vimeo for iPad

Vimeo for iPad

Vimeo have just released their new iPad app. It's really quite something; beautiful, with upload and edit facilities. Playback seems a bit buggy and I've not had chance to give uploading and editing a go, but I'm looking forward to getting to grips with it.

Sets a high standard for my video podcasting platform. I've yet to build an app - as it's just me using it right now - but if it looks half as good as Vimeo, it'll be a roaring success!

27 Mar 12

Intercom

Intercom

New app Intercom is a CRM for web apps. With a simple bit of JavaScript, you can get in touch with your users, and connect with them via a whole host of social networks. You can message them directly on your own website (a little like those Feedback buttons you see on burgeoning websites) and via email, and pass your own data to the CRM for filtering and high level analysis.

It's in public beta so free to try out at the moment. I've hooked it up to my Next Big Thing, so at the moment I can track my own progress and contact me any time I need to. Handy!

If you're developing or running a web app, I urge you to give it a go.

3 Mar 12

A tip for out-of-towners

A tip for out-of-towners

I'm off to Texas in less than a week, for South by Southwest 2012. No, this post isn't just idle boasting, but hopefully a tip for anyone who needs access to Google Maps when outside of the UK (or wherever you live).

If you've ever needed directions while abroad you'll know how expensive 3G data is. I think I spent way over £60 last SX on map data alone, and that was only to get me from the convention centre to a hotel and back.

But CityMaps2Go, an iPhone app available at a poultry 69p is almost perfect. You can download a map of a city (as a comparison, Birmingham's map was over 20mb whereas Austin's is less than 3mb), then switch your phone to Airplane mode or disengage roaming, and search, pinch, zoom and even locate yourself. It even hooks in to the phone's compass and gives you correct bearings. The only thing it doesn't seem to do is draw a line between you and your destination (ala Google's Directions feature). Other than that, it's a dream.

I won't know what it's really like until I use it in the wild, but it looks promising, and a definite money saver. It doesn't seem to be available for Android, but I'm sure there are options, as it's a much more open platform.

23 Feb 12

Comic Book Men

Comic Book Men

Kevin Smith - one of my favourite people - has a TV show. No, it's not another season of Reaper, or the return of the Clerks cartoon, but a semi-reality show which centres around the recording of a fictional podcast. That's probably the element that fits the least well, as everything else I found really enjoyable.

I'm not, and never have been a comic book geek. I have zero problem with anyone who is, and I totally understand the passion people have about the characters they've grown up with. I've listened to the podcast that spawned the show (Tell 'Em Steve-Dave) so was familiar with Walt, Bryan and Ming, but I found the structure of the TV show a lot more entertaining than their formless ramblings (which isn't a criticism; SModcast is a formless ramble and I love it).

The fictional podcast thing does strike an odd chord though. As someone who knows the SModcast network quite well - if you don't, it's basically a collection of podcasts by Smith and friends - I knew there wasn't a podcast called Comic Book Men, so to see them all sit round and talk into mics that aren't live provides jarring bookends. (It reminded me a little of the start of the animated Ricky Gervais Show.)

It feels part of a new swathe of scripted reality TV, heavy-handed in engineering rather than dialogue (ie: scenes are clearly set up, but the words in them feel natural). I guess Smith brings in the punters for those who've seen Dogma but aren't necessary podcast listeners, and he chairs the discussions around the "recording" table, but the star of the show (so far) is Walt Flanagan. The bearded sage Bryan Johnson provides his brand of quiet caustic humour, while Ming and Mike just sort of... well... it's only been two episodes, let's give 'em a chance :)

I really liked the two episodes I saw, much more than I thought I would, so I'll be on the lookout for more. If you get the chance, and you're familiar with SModcast or the world of Jay and Silent Bob, it's worth it. If you're the kind of person who just doesn't "get" comics and doesn't know who Kevin Smith is, probably give this one a miss.

http://www.youtube.com/watch?v=ie0Y52g07sU

Snooch to the nooch, etc.

16 Feb 12

Podnosh scoops a Big Society Award for Social Media Surgeries

Podnosh scoops a Big Society Award for Social Media Surgeries

From late 2007, bloggers, online creative types and wordies in Birmingham started getting together, and aswell as drinking a lot, began finding ways to help the outside world engage and play with the world of the Interthing.

From 2008, if I remember it right, Nick Booth of Podnosh started running Social Media Surgeries: free events for non-profits, with experienced voluntary "surgeons" available to answer questions, provide guidance and inspire those who came along. I've been lucky enough to be involved in two so far. I should do more.

From these humble beginnings have spawned a nationwide network of events, where surgery managers can not only run events but also collect feedback from those who attended, via the SMS+ website. And from that very same horse's mouth:

The volunteers who run surgeries have been recognised by the Prime Minister for a Big Society Award 2012 - which we think is fab.
As it happens, I too think this is fab. Not because of any allegiance to or eversion from the Big Society concept, but because the project deserves recognition from a relatively high place.

Nick, Gavin, Sue, Steph, Josh, and everyone else who works with Social Media Surgeries deserves a massive pat on the back for all their hard work. You can follow @podnosh and @socmediasurgery for more updates, and if you've got the social media nous already, or you're looking to brush up on your WordPress or hone your Twitter muscles, sign up for a surgery near you.

8 Feb 12

In Defence of 10 O'Clock Live

In Defence of 10 O'Clock Live

Last year a new live comedy show began on Channel Four. It was called 10 O'Clock Live, and starred David Mitchell, Jimmy Carr, Charlie Brooker and Lauren Laverne. It had a tricky start among my friends, and from what I understand, got a bit of a drubbing by critics. Ahead of the new series tonight, I just wanted to say that they were wrong.

I think a common question levied at the show last year was what Lauren was actually for. To me the answer was obvious. She was the anchor. She needed to be witty, not hilarious; she needed an air of authority without pomposity. She needed the common touch but be able to take the high ground. And that she did. Yes there were a couple of pieces here and there that didn't work, but I thought she did rousing very well. Lauren's call to vote was a little bit spine-tingling, as was her Save the Arts piece.

Jimmy's opening punchline-crammed monologues started the show off and running, and were his best contributions. Most of his sketches didn't work, as the only person Jimmy Carr can be is Jimmy Carr. He just happens to do it really rather well. I'd guessed - but might be wrong about this - that the producers had cottoned on to the fact that, under pressure or difficulty, his reactions got big laughs (check his SAS sketch), and so as the series went on, he ended up in sillier and more stressful (for a performer) situations.

The po-faced critics of the Media Talk podcast criticised David Mitchell for not being hard enough on his guests, which may be true, but I thought there were flashes of brilliance in his round-table discussions. Maybe they were due more to good booking than good chairmanship, but I thought he had just the right level of ironic gravitas.

And of course we come to Charlie. Oh, Charlie. I think he's become a victim of that wholly idiotic habit people have of blaming a person or band's popularity on that person or band. From what I can tell, Brooker hasn't changed - apart from his hair, maybe - over the years I've seen him in front of a camera, or appeared to have "sold out" in any way, but because he occasionally appears on mainstream panel shows, that must be a sign that he's no longer cool, right? Ugh. Anyway, back to the point. Brooker gave us what we expect from Brooker: bile, self-loathing, creative swearing and lots of clips of other TV shows. I love him.

One of perhaps the biggest problems with the show - and something I think the Guardian bunch pointed out - is the pandering to the performers, of its very liberal audience. Liberal is fine of course, and I'm fairly wooly myself, but it all feels a little off-key when the audience react in exactly the way you expect, every time. But how many hard-nosed conservatives and borderline racists are likely to watch Channel Four?

In conclusion then, yes there were sketches that didn't work; yes some bits fell a bit flat, and maybe occasionally they could've better deployed their satirical arsenal, but I got a genuine sense of excitement every time I watched that show. Very few TV programmes have given me that buzz. I felt I belonged with that show, that it echoed my beliefs, and made me feel a part of something. I think it's superb. Roll on series two.

And if you've not watched it yet, do. It's Channel Four, 10 O'Clock (natch) on Wednesdays. Or on 4OD.